March 18th, 2010

Our NEW producer is coming to Asheville!

So, as fate would have it we are not going to LA just yet.  This is very good news in light of how the situation has evolved.  Mike Daly (the new producer) is coming here!  And when I say here I mean he is flying from LA into Asheville NC to do pre-production with us in our house, The Enemy Lovers house.  He’s also arriving in time to make it out to our show at Stella Blue on March 26.  This is playing out better than we could have planned, as usual.

Originally we were planning to up and go to LA without ever having even met this new guy.  Now looking back that seems crazy.  But with all that has happened we thought it was just part of the roller coaster ride we have been riding since February!  It didn’t feel right.  It felt rushed, but it was rushed, so we were going with it.  The original plan would have caused us to have to cancel four shows and miss Steven and I’s birthdays!  We were supposed to fly to LA tomorrow, March 19 and spend just under two weeks in the studio, then fly home on April 1.

Then at the last minute it turns out that everyone was having scheduling difficulties.  And when Jamie called me saying “keep your show at Stella Blue” and “we’ve made a new plan” I was instantly relieved.  This means somehow we got the best of both worlds.  We still get to do pre-production on our new music, we can still do our shows, and not even leave our families.  Plus Mike will be able to see The Enemy Lovers live in our hometown glory.  I couldn’t have asked or demised a plan better than the one in effect right now.

Funny thing is with our previous recording plan of ‘5 Days. 5 Songs.’ we had everybody involved with every phone call and every little detail.  Now with all the new happenings no one has a clue.  We’re a little gun shy to say the least.  Now if you are coming to the show in at Stella Blue you will be involved like never before, there with us and our new producer.  That will be the first time we meet him in person, with you.  We are really excited about our new path and have high hopes!  Thanks for reading this whole blog entry and thanks for being a fan.

February 27th, 2010

Who will produce our next record?

Finding a producer is like finding a wife.  You can ask all the right questions but how do you really know if they are the one?  And making music is making love.  It bears all the same healthy and unhealthy emotional vulnerabilities with in it’s process.  This is why you see bands break up while making a record.  Everything gets crazy in a room full of over tired creative types all hopped up on caffeine and afraid of being misrepresented.  But once you find the magic, all the relationships somehow find this beautiful harmony!  The hard part is getting through, together, alive!

Now that we made it through (our last breakup) together and alive we’re looking for that special someone again!

Our update is that we’ve narrowed it down to two.  We’ve talked to the first and I have to be honest, he said all the right things according to me.  I’ve learned over the past few years that you have to hold your cards close to your chest when talking to a new prospect for producer.  I feel like when I’ve said too much it has only supplied them with the right things to say and names to drop when I’m wary of the way things are being produced.  My own words are then used at me to regain my confidence.  It compromises really knowing what they’re envisioning.  And I want to know how they honestly hear it sounding.

So in our talk we let Mike Daly from LA speak.  Mike is currently writing and producing many artists, some with whom he has worked include Whiskeytown (Ryan Adams), Stephen Kellogg, the Pernice Brothers, Ambulance LTD, Patrick Park, Grace Potter and the Nocturnals, Marie Digby, Georgia, The Plain White T’s, Jessie Baylin and Donavon Frankenreiter.  We asked epic questions of grand proportions and his responses genuinely intrigued me.  There were some amazing things said on the call and it show signs of being an incredible match up.  He could most definitely be the one.  It’s happening so quick though and on one hand it feels like fate but on the other it almost seems to easy.  It feels so fast.  We had hopes for a fast recovery but this is happening very fast.  We have the songs and we’re ready but LA, in two weeks with someone we’ve never met in person!  If all goes well we will be in LA recording by the middle of March!  Can you believe that?

February 24th, 2010

Regina Spektor


So for the past few months… actually it has been longer than that I would think, my wife and I bought Regina Spektor’s new album “Far”.  I listened to her older album “Begin to Hope” but it was really my wife who listened to it the most.  There are a few songs I would listen to on my own but mostly the songs I heard off that album were because of Jen playing it or Tim and Meagan playing it.  It wasn’t that I did not like it, it was that I just would not ever think of playing it.  Of course on the way home from Asheville after buying the new album Jen played it without stopping and then loaded it on to her ipod immediately after getting home.  Since she had it on her ipod I decided to take the cd for my truck.  For weeks it stayed in my cd player and I listened to it for a long time.  Actually Tim made a joke to me about it still playing in my cd player.  I LOVE IT!  I have listened to it over and over and I still love it.  The songs themselves are really good and simple, even the production is really simple and not overbearing.  It is not trying to be the most complicated or the most artistic and for me it makes it more interesting and gives it more re-listen value.  Her voice is also insanely creative and beautiful.  It kind of reminds me of music that would of been released years ago instead of last year.  Seems that today music is more about how many instruments you can record together to create a song that can never be reproduced live or that has no dynamic because the song is not good enough by itself to begin with.  Yes, in case you are wondering, I am not a huge fan of some of the music that is released today but this cd is extremely worth buying and listening to.  The songs are great, her voice is great, her piano playing is great, the production is great, really it is all great.  There are great upbeat songs and very emotional songs.  I guess something for everyone.


February 24th, 2010


So we played Columbia again tonight. Really I guess it was the first time. We opened for Winston Audio about a month ago and it was awesome. Tonight was the new music night and we got on the bill and killed it. Kent and I may have been a bit tipsy. It is not confirmed yet but either way it was a blast. We made some new friends and hopefully got the opportunity to book more shows. The last time we played it was pouring and the venue had multiple leaks with one right over the stage. Not just the general stage but the exact place I was standing. If i moved the water would drop right on my pedal board or worse right on my Tele pickups. Not awesome was the feeling of the chance of electrocution but I played and survived. Tonight we pulled up to the venue and guess what, rain. It was raining again but not as bad. After talking to the sound guy I felt much better when he told me they had fixed a lot of the leaks and the stage no longer was a sieve but an actual roof. Anyway I guess good things come to those who wait, so columbia we’re coming back and we are going to rock it over and over again. Hope you are ready because we are. See you soon!


February 23rd, 2010

Exactly how I cut my hand at Workplay.

I was talking to my mom last night and she asks me, “so how did you cut yourself at that show?” Then I read back over my blog today and realized that I didn’t actually tell you how I cut my hand at Workplay.
Well here’s how I think it happened, although I still have no idea when it happened or how I didn’t feel it! If you reference the picture below you will see an arrow pointing at what I think caused the bleeding. It’s a flat head bolt that keeps the guitar bridge in place. And it is sharp! Add that to the fact that I strum my guitar pretty vigorously, especially when I’m dealing with a lot of good energy and you have guitar player with a bleeding hand. And I don’t really care what they say about how a professional should attack a guitar. I play like I play, with no reservations! I’m all in baby! Now I just have to figure out how to customize the top of that bolt before I lose too much blood. Any ideas?
If you’re just now coming in on this blog role read the first part of this story here >> While my guitar gently bleeds.

So now you know.